When it was first announced that Harper Lee had a second
book, a predecessor of sorts to her beloved and wonderful To Kill a Mockingbird, I think many of us who are readers and writers
and teachers were first shocked, then delighted. Another novel by Lee! How wonderful!
Of course it should be published with pomp and ceremony and fanfare!
I know that there is much debate in the press about this
novel, not only about the odd timing (after Alice Lee’s death, it was suddenly
found underneath a Mockingbird
manuscript), but also that it was the rough first novel that led to the editor
suggesting the change in point of view and age of the heroine. I read a couple
of articles on the eve of its publication with attention-grabbing headlines
about Atticus Finch being a racist, and I decided then and there to avoid
reading anything else (including my friends’ reviews and comments on social
media sites) and, to borrow a line from The
Great Gatsby’s narrator Nick, “to reserve all judgments” until I had finished
the book myself.
Let me state at the outset I don’t think there will be much debate
about authorship. In anticipating this novel’s arrival on my doorstep, I reread
To Kill a Mockingbird, and it is
evident from the very first page that the author of Go Set a Watchman is the same. In fact, there are a few passages
that are nearly identical in both books (one about the Cunningham family, another
about Aunt Alexandra, among others). This book was not edited in the same way,
which is consistent with the story of its origin.
Here is a comparison that came to mind last night that may
help make sense for other readers: If you have read Laura Ingalls Wilder’s Little House series, then you likely
remember finishing These Happy Golden
Years and rushing to read The First
Four Years—and perhaps feeling disappointed that the book was not the same,
somehow. It was about the same people, and it follows in time and story, but
the prose was sparser, stark in places, with a darker tone and a very different
feel. We never doubted the author was the same, and the editorial note added
confidence. What we know now is that The
First Four Years was not edited by Wilder’s editor, her own daughter Rose,
and that is precisely why its prose is darker and sparser.
I get the same impression from Watchman. The prose is darker, the subject matter heavier, and the
point of view of a young adult woman dealing with the changes she sees in her
father—and by extension her hometown—is also heavier and harder than what we
find in Mockingbird.
If the legend of this book’s history is to be believed, then
the editor who first suggested that Lee change Scout’s age and rewrite the
story about Maycomb, setting it in the middle of the Great Depression and
focusing on Boo Radley and the Tom Robinson trial from her younger self’s point
of view, was a genius. Mockingbird is
a better book by far. However, I think that if we take away the media hype
surrounding its predecessor, Go Set a
Watchman has much to offer.
I found Jean Louise to be a believable heroine, a reliable
narrator with flaws of her own, who goes through one of the most difficult
transitions of adulthood throughout the course of this novel: She realizes her
father, whom she idolizes, is not the man she thought he was. Indeed, the
passage detailing Atticus and racism is a difficult one, and I had to set the
novel aside for a time after reading it. I can see why the media has grabbed
onto that one scene and splashed it across the headlines. It is difficult to
read, yet powerful. But whether or not Atticus Finch was racist isn’t the point
of the novel at all. Jean Louise’s journey is the point. It is her story, and
it is her struggle, and who among us who has realized the faults of their
admired parents hasn’t faced the same crisis of belief and identity? I can recall
three separate incidents in my own adulthood where I had to come face-to-face
with some major issues involving my parents and decide within myself that those
things did not have to change my love for them. The pedestals broke and I found
myself on the same ground as my parents, a human being with flaws and sins, who
made mistakes and was not perfect. Parents should not be idols, and the process
by which adults come to terms with this fact is probably as different as each
individual and family.
Jean Louise has to come to terms with her father’s flaws,
and it is a difficult thing indeed. How many of us after reading To Kill a Mockingbird felt like Atticus Finch
was the ultimate hero? How many of us who also watched the famous film of the
novel still hear Gregory Peck’s voice pleading “In the name of God, do your
duty” at the end of his defense of Tom Robinson in the summer-hot Maycomb
courtroom? I wonder if the criticisms we will read in upcoming weeks will have
something to do with the smashing of the pedestal of a literary hero and the
personal stories of each of us and how we view Atticus Finch and his daughter
Jean Louise, their relationship, and whether there is any truth to the old
saying, “You can’t go home again.”
So the question becomes, should you read this novel? I will
say yes and no. I still think To Kill a
Mockingbird should be required reading, and I strongly encourage you to
read it if you haven’t already. Go Set a
Watchman is a powerful story in its own right, and while I don’t think it
approaches the genius of Mockingbird,
I think it has much to offer as its predecessor. Novelists should read it as Lee’s
first novel and marvel at how much more wonderful her prose and story become in
her masterpiece. Literary scholars and English teachers will find much to pick
apart and analyze in its symbols, sometimes disjointed plot, and overall themes.
Historians will glory in its historical context and sociologists will enjoy
placing it in the turbulent times leading up to the Civil Rights movement. But
if you are a person who wants Scout and Atticus Finch and Maycomb to stay the
same as they are in the final pages of To
Kill a Mockingbird and you don’t want your views of them tainted in any
way, by all means do not read Watchman.
A final note: In light of the turbulence of 2015 with regard
to race and prejudice and bigotry within our country, I think this book offers
a point of view worth considering. Will the racial rift in our nation ever be
healed?
(To read my review of To Kill a Mockingbird, click here.)
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